- Stallknecht, N. P., & Frenz, Horst. (2012). Comparative literature: Method and perspective. Illinois: Literary Licensing.
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- Guillén, C. (1993). The challenge of comparative literature. Cambridge: Harvard University Press.
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- Damrosch, D. (2003). What is world literature?. New Jersey: Princeton University Press.
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摘要:World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Mench's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.
- Bassnett, S. (1993). Comparative literature: A critical introduction. Oxford: Blackwell Publishing.
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摘要:This major new introduction to comparative literature is for the students coming to the subject for the first time. Through an examination of a series of case studies and new theoretical developments, Bassnett reviews the current state of comparative literature world--wide in the 1990s. In the past twenty years of a range of new developments in critical theory have changed patterns of reading and approaches to literature: gender--based criticism, reception studies, the growth of translation studies, deconstruction and orientalism all have had a profound impact on work in comparative literature. Bassnett asks questions not only about the current state of comparative literature as a discipline, but also about its future. Since its beginnings in the nineteenth century, comparative literature has been closely associated with the emergence of national cultures, and its present expansion in many parts of the world indicates that this process is again underway, after a period of narrowly Eurocentric research in the field.
- 钱钟书,2002,《七缀集》[M]。北京:三联书店。
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摘要:“钱学”的兴起大约在80年代初期,为此还专门出了几期期刊,可能钱钟书本人对此并不是很热心,所以其声势不是很大。从数量上看,钱钟书的著作可能不如很多中国当代作家,但他的著述的含金量的确是只有用皇皇巨著才能恰如其分地予以定位。由中华书局出版的5卷《管锥编》世人皆知,但是至今能够真正读完读懂的读者还是凤毛鳞角;他的《谈艺录》人称是现代有关诗文评的巨构;他的《钱钟书集:七缀集》、《宋诗选注》在文学史上的地位更是无以替代。
- 朱光潜,2012,《诗论》[M]。北京:三联书店。
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摘要:《诗论》可以说是朱光潜(1897—1986)先生的代表作之一,他也自认为这是他一生中最重要的一本书。
《诗论》是现代中国体系严密完整的开拓性的诗学专著,是朱光潜先生用西方美学理论阐释中国诗学的经典著作。
《诗论》是四十年代四大诗论之一,为比较诗学的经典之作
- 陈惇、刘象愚,2000,《比较文学概论》[M]。北京:北京师范大学。
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摘要:《比较文学概论》介绍了国际国内比较文学发展的历史和现况,介绍了比较文学的定义、理论和方法,但它的作者不是单纯地介绍,而是把自己也摆进去,把自己摆进去而又不强加于人,以讨论的口吻,与读者平等对话。